Gloria In The Mist – A Backstage Peak 

So last Thursday I was on the bus into Plymouth to attend the second event of the Plymouth Bloggers Scheme. I’d had one of those days at work where I barely stopped, and ended up leaving nearly half an hour later than I planned because of things I needed to finish off. In short, I was in a proper mood.
However, cue 18:34 and I was sitting with the other bloggers on the scheme waiting to see backstage of the evenings performance of Gloria in the Mist. Becca gathered us up, and took us through the windy backstage area, where we could hear incredibly talented people rehearsing for the evenings opera. Its the level of talent that leaves you slightly awestruck, and was the perfect little moment to start the evening. After a few more windy corridors we found ourselves on the stage of The Drum where the incredible Spitz & Co were setting up the stage for that night.
What we ended up with, in the time before the show, was an insight into what makes a two woman show. This show consists of Susie and Pauline (a lighting expert, a director and a designer), who met in a comedy workshop where the piece of advice shared with attendees was to go and make comedy as a duo. Susie and Pauline took this literally, and Gloriator (the first in a trilogy) was created. 
Alongside hearing some of the pairs history we were able to pick their brains for favourite comedy acts, how a theatre company wins funding for a project, and how the pair cope with jokes that land flat. We were taken to a dressing room, where Pauline showed us the bed and chicken filets present. The overexcited child in me was particularly impressed by the lighting around the mirrors, with it meeting my mental picture of a dressing room. Sadly, the dressing room journey also resulted in the temporary loss of Brett and Hazel as they discovered firsthand how labyrinth like backstage really is. 
One of my favourite aspects of the evening both before and after the show, were the props. The pair took us through which of the props were their favourite (a light up skyline and a toy helicopter were Susie’s personal favourite), talked through some prop issues they are faced with (anyone know where you can find a child’s triangle tent with three entry/exit points?), how everything has its place and needs to be accessed incredibly quickly. Props are a lot more complicated than they initially appear.
A little while after this, we left the pair be and sat around chatting waiting for the show to start. I have not laughed as much as I did last Thursday in a very long time. Live comedy is incredible, and I need to add it to my To-Do list over an over for 2017. The comedy is accessible, physical, situational and just bloody brilliant. With everything from interpretive dance, to snowball fights the show was unpredictable and incredibly original.
Running until Friday 23 December and priced at less than £15 a ticket the show is worth putting in your diaries. As I write this, I’m sitting here trying to work out how I can fit the show in again before the tour ends…
– Emily

The tickets were gifted as part of the Blogger Scheme at the Theatre Royal, but the somewhat gushing words above are entirely my own.

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